Justin Chang's New Yorker review takes up Andrey Zvyagintsev's Minotaur, a mesmerizing retelling of Chabrol's The Unfaithful Wife in which Gleb, an executive spying on his unfaithful wife Galina, must also furnish fourteen men for Russia's war draft. Shot in Latvia, French-financed, a Grand Prix winner at Cannes and France's Best International Feature entry, the film is, for Chang, an icy study of corruption and power.