In Lee Chang-dong's 'Possible Love' — his first feature since 'Burning' — laid-off autoworker Ho-seok carries the weight of a colleague's suicide and a failed strike while his strained marriage with Mi-ok draws the eye of Ye-ji, a wealthy documentarian whose film project entwines the couple's lives, ending at Ye-ji's beachside estate where class divides and performance versus reality must be reckoned with. Reviewing for NPR, Aisha Harris writes that the film stands out among recent eat-the-rich stories for framing capitalism's cruelty as a labor crisis, praising Jeon Do-yeon's and Cho Yeo-jeong's performances and its exploration of the power imbalance between filmmaker and subject.